Many of our everyday items find their way to the side tables sides couches, desks, and beds, and some of these items have cables that snake their way down and across the floor. These wires might not always ensnare your feet, but they definitely turn any beautiful interior into a dangling mess of cables. There are some side tables these days with built-in power outlets, but those still show the wires that crisscross each other. Some might even have the uninspiring charging bricks also rearing their ugly heads. This simple side table, on the other hand, has an equally simple solution that makes sure that nothing but your phones or tablets get the spotlight.

Designer: Rudolph Schelling Webermann

At first glance, the Charge Table looks like a pretty nondescript side table, albeit one with some elegance thanks to its minimalist design. The body itself is made from sturdy powder-coated steel that provides stability and handsome looks. The top of the table is lined with soft felt that protects your devices from scratches and bumps. It also gives a rough surface for mugs and cups to grip, keeping them from sliding.

This simplicity, however, is deceptive, because that tabletop slides out a bit to reveal a hidden compartment inside. This storage space has one primary function: to house a power strip that can charge your devices. You simply plug in your chargers, slide the tabletop back in, and have the charging cable discreetly coming out from the small gap at the side. And when you need to leave with that charger, simply slide the tabletop out again, unplug the charger, and go. You can also leave as many chargers in there thanks to the compartment’s spacious area.

As for the power strip’s own thick cable, a hole in the middle of that hidden storage for it to pass from beneath the table. Ideally, you’d have it find its way down one of the table’s legs or across to a nearby couch or chair, completely hiding it from view. Admittedly, it’s going to be trickier than keeping devices’ charging cables hidden, but at least there’s only one snake to wrangle.

The Charge Table offers a simple, elegant, yet very effective solution to ensuring that unsightly wires don’t ruin the aesthetics of your interior, though the compact size of the table does present another problem. Given today’s practice of owning more than one device per person, it might not be big enough to charge a phone and a tablet or a combination of multiple devices at the same time. Then again, the very design of the table itself encourages simplicity and frugality, and it might give people pause for thought on what’s really important, at least as far as the devices they keep close are concerned.

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Just because a design is minimalist doesn’t mean it has to be featureless. Part of the challenge of this design style is to deliver the same functionality that more complicated products offer in simpler ways. A desk, for example, would normally have drawers and shelves to put things in, but drawers often introduce mechanisms that wear down over time, and they often block their contents from view, forcing the person to remember what’s inside or waste time going through each drawer in search for an item. Aalto, which means “wave” in Finnish, removes the blinders and designs an open storage system that uses no extra parts, just the table’s body itself.

Designer: Liam de la Bedoyere

Common desk drawers use a sliding mechanism to move a box in and out of the table. Regardless of the design of the slider, it will eventually fall victim to wear and tear, making it less useful and more stressful. Desks with “open” shelves instead of drawers do remove that variable but doesn’t make it easy to see what’s inside unless everything is at the front or you stoop to take a peek inside.

The Aalto design concept uses a series of undulating forms that create nooks that can become storage spaces. Thanks to the glass (or any transparent material) tabletop, you can immediately see what’s inside, ready to be taken out when you need it. Conversely, you can also easily see which compartments are still unoccupied in case you need an empty space.

The waves can come in different sizes, which makes room for different kinds of stationery and tools as well, like a laptop in the larger space or pens for the smaller ones. What makes the design even more interesting is that it doesn’t use any extra pieces other than the tabletop. It’s a single unbroken form, though sheets of plywood are indeed joined together to create the semblance of a flowing shape. Regardless, there are no moving parts that will break down or extra parts that can get lost. It is minimalism at its finest.

Another version of the Aalto design uses shorter and more uniform waves to address concerns about the troughs hitting people’s knees and legs. That said, it also reduces the flexibility of those spaces to hold objects of any size, but that also becomes a sort of enforced organization system to keep the desk tidy. In exchange, this Aalto variant has a small shelf off to the side, for holding smaller items like books or even a vase. It does have to switch to a polycarbonate material for the tabletop in order to support that bending shape.

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Smartphone brands have thankfully become more conscious of the design of their phones, or at the very least are now talking more about that aspect of the product. Not everyone gets it right, of course, especially if you look at some of the ginormous camera designs on phones these days. Once in a while, though, you come across a design that still delivers the promise of powerful cameras without being as in your face as their other kin. This year, Motorola’s Edge 50 series seems to have hit the target with a smooth and elegant minimalist design, as shown by leaked images of the upcoming Motorola Edge 50 Neo. Strangely enough, it calls to mind a design that we actually liked and wished stuck around longer.

Designer: Motorola (via Evan Blass/evleaks)

In 2022, we reviewed the OPPO Find X5 Pro which seemed to defy convention with a rear design that ditched the usual metal island that surrounded smartphone cameras. Instead, it used a gentler, curving slope that looked distinctive, less noisy, and more elegant, but it sadly didn’t last more than that year’s OPPO flagship. Whether by coincidence or by design (pardon the pun), it’s like that aesthetic has suddenly resurfaced where we least expect it.

A serving of official-looking renders reveals the design of the Motorola Edge 50 Neo or at least its back, and we can’t help but get a sense of deja vu. Not that we’re complaining, since it’s quite a striking and unusual appearance, and it’s not even limited to this particular model. All members of the 2024 Edge 50 family bear this same design language, including the Motorola Edge 50 Fusion with only two cameras on its back.

Also like its other siblings, the Edge 50 Neo is Pantone-certified, a mark it bears proudly as well. This particular model will come in four color options: Grisaille (Gray), Nautical Blue, Poinciana (Red), and Latte (Beige). The images also suggest that the phones will bear the same textured material on their back, which not only gives them a luxurious feel but also improves their grip.

Other than these visual details, however, not much is known about the Motorola Edge 50 Neo just yet. It will have three cameras, and it might follow in the footsteps of the base Edge 50 model with a 50MP main camera, a 10MP 3x optical zoom telephoto camera, and a 13MP ultra-wide shooter. But as beautiful as this phone looks, consumers might end up a little bit confused as there will be not only two, not even three but four Motorola Edge 50 models to choose from when the “Neo” finally launches.

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Having lived in a city all my life, I’m used to waking up in the morning, looking out the window, and seeing nothing but buildings. So of course it’s my dream that one day, I’d be able to live in a place where I am surrounded by nature but still have the conveniences of “civilization”. We’re seeing a lot of house concepts right now where all you need to do is step out of your front door or sometimes even just look out your window and you’re one with nature.

Designer: Pérez Palacios Arquitectos Asociados

One such house is Copas, a contemporary and minimalist concrete house located in the forests of Valle de Brava in Mexico so you get the best view of nature from your window and especially from the rooftop terrace, where you feel like you’re part of the forest. The colors of the house are similar to the tree trunks and rock formations that surround it. The overall design of the house gives you the impression like you’re climbing a mountain.

The private bedrooms on the lower level has glazing that frames the forest while the kitchen, dining room, and the lounge space also give a beautiful view of the surrounding woodlands. The terrace on the roof extends towards the trees while the swimming pool on the higher volume is the perfect way to cap off a relaxing day in your abode.

The two-volume house is integrated into the slope so there’s not much excavation that will disturb the surroundings. The house has also different finishes to complement the concrete look, including wood furniture, natural rugs and fabrics so you get an even cozier feeling. This is such an interesting house to live in especially if you’re sick and tired of the concrete jungle.

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Gone are the days of uniform-looking office cubicles that feel designed to suck the soul out of employees. Although they have their own downsides, the so-called “open floor plans” bring a bit of customization to office spaces, letting people’s and companies’ characters shine. Of course, office space is never infinite, and workers have to make do with the sometimes cramped horizontal allowance they have. Maximizing every inch of that space requires not only being creative but also furniture that delivers the functionality that you need while being space-efficient as well. This office furniture collection offers exactly that with a modular system that you can mix and match to your needs, taking inspiration from one of the most popular modular designs in modern history: LEGO blocks.

Designer: Form Us With Love for String Furniture

OK, they might not connect to each other like LEGO bricks, which would be impractical and tedious to use anyway, but the way you can combine different “block” sizes in almost endless ways is reminiscent of the creative toy. There are six different sizes of components, ranging from cube storage to rectangular shelves, and you can arrange them in any way you see fit, as long as you have horizontal and vertical clearance. You can put them side by side like a long shelf, stack them on top of each other like a cabinet, in a straight line, or in an L-shaped corner configuration. Your creativity and space are the limits.

The pieces almost look like LEGO blocks, at least metal LEGO blocks. They are made from thin with a perforated grid pattern that is meant to give them an industrial aesthetic. Of course, these holes can serve functional purposes as well, allowing you to hang hooks, screw in handles, and maybe even decorate the surfaces with your personal photos and mementos. Presuming you or your company purchases different colored sets, you might even be able to mix up colors to add even more personality to your office space.

The concept of modular furniture is nothing new, but most of these designs tend to have a fixed appearance or mode of operation, allowing owners to only remove or add parts that are specifically designed for the system. With a minimalist design that adopts the simplest shapes of squares and rectangles, Center Center allows for maximum flexibility and, more importantly, encourages creativity and individuality that are easily lost in many work environments these days.

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Flat-packed furniture has become quite the sensation, satisfying both the need for easy-to-assemble mass-produced products as well as a craving for the trendy minimalist design. There are, however, certain limits to those designs, especially because of the need to be flat and tightly packed. Putting them together also sometimes requires a bit of patience and know-how, particularly when small parts and screws are involved. This stool concept design challenges those conventions, however, by using mechanisms that require no extra parts, no screws, and even no glue, yet still delivers a multifunctional piece of furniture that looks unique and distinctive, unlike most mass-produced flat-packed products.

Designer: Joao Teixeira

The easiest method to join two separate pieces after they have left the factory would be to either screw or glue them together. The former entails more complicated parts while the other often employs chemicals harmful to the environment. There are, however, techniques that simply use shapes and the force of physics, particularly gravity, to keep two parts together. The dovetail joint, which looks like two puzzle pieces getting wedged together, is one such mechanism, and it is the technique employed by this Flat Stool design.

That in itself is already impressive, but the stool’s real claim to fame is how its sides can curve and bend despite being flat-packed. You’d usually have to resort to tricks like hinges, which you have to screw, to change a wooden plank’s direction, but the Flat Stool uses a rather unconventional design to do the same. Specifically, it uses kerf bending on those bent areas to create a gentle curve that makes it look like the piece was shipped that way right from the start.

The effect is a stool whose sides bend down and inward, attaching to the middle of the slanted legs that also have a kerf bend to them. This creates a loop on both sides, an empty space that can serve as a holding space for books, phones, or other objects that don’t need a flat, horizontal surface to lie on. As a bonus, the kerfs and ribs of the stool are exposed and visible for everyone to see, creating visual accents that make the stool look more interesting.

Admittedly, some might have concerns about how long the dovetail joints will hold over time as the wooden contacts between the joints wear down. The kerfs might also look a bit worrying, especially on the legs, given the decrease in the mass of the wooden boards. Nevertheless, it’s an interesting concept that tries to think outside the flat-packed box to provide a design that isn’t as flat, literally and figuratively.

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It might be a foreign concept to those born in the age of the Internet and smartphones, but libraries were once the only place where you could get voluminous amounts of correct information. Of course, these institutions still do exist, especially in schools and universities, but the image of a quiet room with shelf after shelf of books might seem odd and even eerie to some. There are aspects of this imagery that have almost become iconic over the decades, such as the archetypal metal-encased lamp used not just in libraries but even in banks. Those lamps would naturally look antiquated on modern desks, so this design reinterprets that classic concept into something that pays homage to the past while also embracing the aesthetics of the present.

Designers: Ben Kicic, Emilio Halperin

The Library Lamp or Banker’s Lamp had a singular purpose: to illuminate the reading material or papers in front of the user without disturbing or distracting others nearby. As such, it often has a softer, less glaring glow than most desk lamps would have today, while still offering enough brightness, especially at night. Of course, these lamps reflected the design trends of that period, which were often more ornate than practical. It would make for a good decorative desk piece, but would still look out of place in today’s workplaces.

This redesign takes the spirit of the library lamp and inserts it in a form that embodies more modern industrial aesthetics, particularly the use of simple shapes and curves as well as unpainted milled aluminum. Instead of a single elaborate stand, the trapezoidal lamp shade is held aloft by two slim arms that also serve to hide the lamp’s internal wiring from plain sight. These parts stand on a horizontal block of metal that has a subtly concave surface that serves not only to diffuse the light but also to hold small objects like keys, pens, and other knickknacks.

In addition to its sleek modern appearance, the Library Lamp also incorporates modern technological conveniences. In particular, the base, arms, and even the lampshade itself are touch-sensitive, providing physical controls without the need for disruptive buttons and switches. Just like its forebear, the lamp gets the job done with minimal fuss and confusion. It also looks quite striking as a representative of the dominant design trend of its period, adding a touch of beautiful minimalism and industrial design to any desk, workspace, or shelf.

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Lamps come in all shapes and sizes, but the one thing they have in common is that most of them come in a single piece and are anchored to the ceiling, wall, or even the floor. While there’s definitely nothing wrong with that, there’s also room for improvement when it comes to simplifying not only the design but also their installation and maintenance. Many lamps involve complicated wiring or installing fixtures in places that can clutter the space, physically and visually. This intriguing lamp design solves that in a peculiar way that ends up making the lamp look like it’s floating in midair, creating an atmosphere of magic and mystery in any space it’s in.

Designer: Paul Cocksedge

The most critical part of a lamp is, of course, the light source, but many lamps also need a way to direct or diffuse the light to make it less blinding. While most designs have these pieces in a single form, there’s no rule they have to be on a single body. Shade, whose name might not reflect its mesmerizing appearance, deconstructs and separates the design of a lamp into its two most basic parts, creating what is probably the most minimalist lamp design of all.

When lit up, Shade looks like a white conical lampshade eerily floating in the air, almost like a stereotypical ghost. Of course, it’s not literally floating but suspended by “capillary-thin” wires that are practically invisible unless you see them up close. But that’s only half the magic because the lampshade itself doesn’t have a light source. Instead, that comes from a small, can-shaped directional spotlight shining upward into the lampshade, creating the illusion of a floating lamp.

In essence, Shade separates the lamp into the shade and the actual light source, and neither is physically connected to the other. More than just creating this bewildering sight, this design also simplifies the installation of the lamp. No need for complicated wiring since the lamp can be set anywhere on the floor where the shade can be hung. You can also place the lamp anywhere as well, though you might want to put it somewhere safe and hidden, just to heighten the sense of mystery.

The construction of Shade itself is pretty simple, with the lampshade made of soft yet durably Japanese paper. This material not only gives the shade an almost pure white surface but also gently diffuses the light to a soft glow. The crumpled paper also gives it a unique visual texture that creates a subtle play of light and shadows, enhancing the lamp’s distinctive appeal even when the lights are off.

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Given how almost everyone has a smartphone these days, it’s not really surprising to see establishments and furniture adapting to the situation. Desks, tables, and even shelves have started to integrate charging solutions that make it convenient to top up a mobile device quickly without having to scramble for and fight over a power strip or wall socket. Unfortunately, many of these designs, particularly for tables, add some rather unsightly cables that can also be a safety hazard if not installed properly. This table, in contrast, lets you charge phones and tablets with ease while magically making those cables disappear to preserve the table’s minimalist beauty and avoid tripping people up when they have to move about.

Designer: Carl Magnusson

Tables with integrated charging solutions seem to fall into two extremes. On the one hand, you have regular tablets that have just been retrofitted with power strips and are often seen in public places like coffee shops or even libraries. On the opposite end of the spectrum, there is classier furniture that utilizes wireless charging technologies in order to make power sockets invisible, like the newer desks and shelves from the likes of IKEA. Both designs, however, require the table itself to still be plugged in regardless since it has to take all that power from somewhere.

In that regard, the MagPower Table is almost futuristic with its wireless functionality while still being completely rooted in present design trends with its extremely minimalist design. At first glance, it simply looks like a wooden table with a large circular top and wooden or aluminum legs, but closer inspection will reveal two USB-C slots and one full-sized USB-A slot for charging mobile devices. What makes this design almost mind-blowing is that there isn’t any cable snaking out from one of the table’s legs to connect to a nearby power outlet, making it seem like it’s using wireless charging technologies, at least for itself.

The secret behind this is the design of the table’s leg which can house a rechargeable battery that then powers connected devices. The battery can be removed at the end of the day and recharged separately before being reinstalled the next day. That said, the design also allows for a power brick to be plugged in directly, which has its own convenience, presuming you can live with the sight of that cable.

The MagPower Table’s minimalist aesthetic matches the goal of its design to offer a clutter-free space and enhance your productivity. Granted, it also raises questions about where a single battery is enough to charge several devices at the same time, but it’s certainly possible to expand the design and have all legs house a battery. This would help avoid competing for only three sockets, which will be the most likely scenario if these tables are used in office environments.

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The mobile phone market is a very aggressive one, so it’s no surprise that even big companies bow out eventually. Nokia raised the white flag after numerous failed attempts with both Windows Phone and Android. BlackBerry also closed shop after failing to find a profitable market for its QWERTY phones, while LG opted to focus on its other businesses other than mobile. Some brands, on the other hand, simply downsize their operations, like HTC mostly in China, and Sony only through online shops. Sharp, is part of this latter group, though its presence has been so small you’d hardly notice it still existed. In fact, it just announced its latest handset, and while the Sharp AQUOS R9 looks rather elegant in its simplicity, a single design element, unfortunately, mars its otherwise clean appearance.

Designer: Sharp

When it comes to minimalism, the two cultures that are considered to be the epitome of this style and lifestyle are Scandinavian and Japanese. In that regard, it shouldn’t be a surprise that Sharp’s new smartphone embodies minimalism almost to the extreme. It barely has any branding on the back of the phone aside from the small “AQUOS” and “LEICA” texts in the camera circle. With flat surfaces and edges, plain colors, and the lack of almost any embellishments, the Sharp AQUOS R9 is like a breath of fresh air in the smartphone market.

Unfortunately, it’s because of that very simplicity that your eyes are immediately drawn to the one conspicuous element on the phone’s back: its cameras. The design, while simple, looks a bit skewed, lopsided, and uncertain as if it can’t decide if it wants to be a square or a circle, the two predominant camera designs in the market today. Even more unbalanced, despite being an even number, are the camera lenses, positioned diagonally and off-center and with slightly different sizes. We’ll just have to take Leica’s unspoken word that this is the optimal placement for these cameras.

In terms of hardware, the Sharp AQUOS R9 looks quite competitive, at least on paper. It’s powered by a mid-range Qualcomm Snapdragon 7+ Gen 3 processor with 12GB of RAM, with a large 5,000mAh battery to keep it running. The 6.5-inch Full HD screen boasts TV maker Sharp’s Pro IGZO OLED technology and is capable of 240Hz refresh rates. Those two odd cameras on its back both have 50MP sensors, and the front-facing camera for selfies and video calls has a similar 50MP hardware. As mentioned, Sharp is proudly flaunting LEICA’s brand, indicating how its imaging system has been approved by one of the biggest names in the optics industry.

There’s no word yet on how much the Sharp AQUOS R9 will cost or if it will even be available outside of Japan. It’s definitely an odd design choice, one whose elegant minimalism is juxtaposed with an asymmetrical camera bump. It’s not ugly, for sure, but it’s an appearance that looks a little confusing and disconcerting, creating a bit of a visual discomfort whenever you try to appreciate its clean looks.

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